This is where it all began. At some point somebody convinced me to make myself heard, so I spent a little fortune on pressing 100 records, sold them to my friends and I could tell everyone I had a label, haha. I still have some lying around somewhere. Listening to it now it obviously is old, but still touching, especially "You're The Only One...", be patient. Topics: electronic, electronica, lo-fi, non-vocal, Trixie Stalker, David Lichtenberger, tokyo trauma
My brother is a very thoughtful guy, so this album features a concept/linernotes-pdf as an exception to the rule. Very arty stuff, but first of all characterized by an incredibly direct and heavy sound oscillating between punching beats and digital harsh noise making your ears bleed and you (me at least) scream for more. Topics: digital, noise, digital noise, harsh, heavy, non-vocal, Grischa Lichtenberger, tokyo trauma
The first pieces of music Thomas and I did together, and the last vinyl release (of two overall) we could afford. I also found this remix of deckchair we made right afterwards. Topics: electronica, indietronics, guitar, pop, lo-fi pop, non-vocal, David Lichtenberger, Thomas Herlth,...
bysome tokyo trauma people (Philipp Heidemann, Thomas Herlth, Lars Hillebrand, David Lichtenberger, Rockoutfit, Stalker Sisters, Trixie Stalker)
Today Tokyo Trauma gets five years old. Time to indulge in reminiscence a little. The Technopanda in Steinhagen near Bielefeld actually was my bedroom, which of course was packed with instruments and other noisy devices. The "Melody Ram" and the "What's Left"- ep had been produced there. Every friday after rockoutfit rehearsal Thomas needed a place to stay and so we spent like every friday night together. We had a lot of fun and Tokyo Trauma slowly grew. When Rockoutfit's... Topics: rock, electronica, glitch, indietronics, beats, vocal, nonvocal, Philipp Heidemann, Thomas Herlth,...